Natural history consists of vast subjective natural presents – realities, connections and curiosities.

In The Cabinet of Sensibility, ephemeral observations are collected as building blocks of a poetic inner landscape. As an observer sensitive to the complexity of delicate textures and structures in my surroundings, I offer them as safe spaces for those who long to rest in intuitive observation – to look gently and closely as a way of caring for oneself and/in the damaged world.

Working with photogrammetry and 3d printing explores new non-intrusive ways of curating own cabinets of curiosities as personal scenographies and intimate archives of observations – while leaving the overlooked surface diversity of worlds where they belong, for others to encounter.